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Thankfully, Williamson provides a moment later in the issue addressing how Cheetah’s desire to flee to a fantasy realm is the same as Deathstroke’s need to play the hero. But, unfortunately, this also comes at the expense of developing the characters. This is a refreshing take on this storytelling method, as the breakneck pace allows each moment to play a pivotal role in the story. However, Williamson twists this format by allowing the series’ overarching mysteries to take center stage while each issue’s mission essentially serves as a subplot. In terms of building a narrative, Williamson has largely taken this approach with Deathstroke Inc., as the title character takes on a new mission to catch a new villain in each issue. As a result, the “meteor freak” would take the main plot for each episode, with each season’s overarching plot serving as a subplot until the conflict reached its boiling point.
#HIDDEN COLORS 3 FULL MOVIE SERIES#
Despite these minor problems, Howard Porter’s artwork with Hi-Fi’s colors allows readers to immerse themselves in Cheetah’s fantasy.Īnyone familiar with Smallville is also familiar with the phrase “freak of the week.” For the uninitiated, this phrase was used to describe the storytelling structure that the series implemented in earlier seasons as Clark defended Smallville from a different “meteor freak” each week. However, a few instances of clunky dialogue do hurt some characterization. Additionally, Williamson nails Deathstroke’s voice. Although Joshua Williamson’s script allows the story to get to the point, it is also lean on necessary character development. Unfortunately, Williamson’s drive to answer this series’ mysteries at a brisk pace is a double-edged sword. Much of this issue’s success is due to Joshua Williamson’s focus on propelling the overarching narrative forward, as well as Howard Porter’s expertly rendered action sequences. #3 is a story with the potential multiversal implications masquerading as a done-in-one tale. Fast-paced and action-packed, Deathstroke Inc.